Libraries are essential public goods.
Like our public parks and museums, public libraries are free, non-commercial gathering places for everyone, regardless of income. If information is power, then libraries are the essence of democracy and freedom. In these times of economic difficulty, more people are using them than ever, to do more than merely check out books.
Yet our nation's public libraries appear to be under threat by a litany of cuts, forced upon them by state and local committees, cuts that often began before the recent economic downturn. In a survey conducted by the Library Journal, 93% of large libraries reported having laid off staff, cut their opening hours, or both. In several states, including Indiana and Michigan, library branches have permanently closed their doors.
In a new Huffington Post series called Libraries In Crisis, we'll be looking at how today's libraries are about more than books. We'll show how they can be a community resource where reliable information and guidance is provided, free of bias and commercial influence.
This occasional series will look at the economic reasons for the current situation, and its consequences throughout the country. It will showcase models for library evolution, and hear from prominent voices about what makes a viable and vital library system.
As digital media increase in popularity, this is the moment for a national conversation about what a library is, and what it can be, beyond books on shelves; of what we expect from our public services, and how we would like to see our tax revenue spent. When local libraries are threatened, people are prepared to stand up and fight for them, as recently seen in Chicago and Detroit.
In June 2010, New York librarians staged protests against proposed budget cuts totaling $37 million. They called their campaign "We will not be shushed."
The time has come for libraries to speak up.
Sunday, January 22, 2012
Friday, January 13, 2012
Authors and Writers Beware
Why Self Publishing Authors Are A Target For Conmen
All the indications are that this is going to be another bumper year for self-publishing. However, the ever-increasing viability of this path, and its popularity with writers, is also attracting those seeking to make money from self-publishers.
Writers pursuing the traditional route to publication have had to put up with any number of scams and dodgy deals over the years. We’ve seen vanity and subsidy publishing houses masquerading as conventional publishers, agents who charge all sorts of fees to “represent” your work or push writers towards “editing” services which they either own or receive kickbacks from, and all sorts of nefarious individuals who will claim to get your work under the nose of famous writers, editors, agents, or Hollywood producers – all for a fee, and with little result.
The presence of such conmen is a grim inevitability in an industry where there are so many are fighting for so few slots. Writers rely heavily on organizations such as Writer Beware whose mission is to expose such scams, warn writers when publishing houses are in financial trouble, and educate them on issues such as contracts and copyright.
In general, writers are quite good at taking the time to warn those less experienced of scams and dodgy deals, as well as things which are simply a waste of money.
Self-publishers don’t face the same problem as writers pursuing the traditional path: namely, being one of many competing for (very) limited slots. We don’t have the same bottleneck at the “publishing” stage. However, questionable services are capitalizing on a mystique that has attached itself to the publishing process, squeezing good money out of writers and providing little in return.
There are three major steps for a self-publisher:
1. Writing a good book.
2. Publishing to a professional standard.
3. Marketing effectively.
These services tend to focus on the second step – publishing. The sad thing is that this is the easiest step of the three. Before that cues howls of protest, consider the following. Marketing a book is hard, much harder than the functional steps necessary to publish something to a professional standard, especially when we are talking about e-books.
You can hand someone a set of instructions, which, if followed to the letter, will result in a good looking book. Yes, there is a learning curve for much of it, and many of the tasks (particularly editing and cover design) will need to be outsourced, but it’s something anybody can do, with the right approach and a little investment.
Marketing is much trickier, and successful marketing always involves some element of guesswork and luck. Writing a great book is the hardest task of all, and there is no real blueprint available to the prospective writer. While there are great guidebooks, writing groups, forums, and communities, you are really on your own when it comes to the writing part.
Publishing is easy in comparison.
At least, that’s how it looks to someone who has published four titles. I remember being quite daunted by the process before I published my first. I had a background in digital marketing, I had worked for tech companies, and I knew a little HTML. Someone without any of that may consider the process beyond them.
This has created an opportunity for a variety of self-publishing “services” some okay, some not so. When Penguin launched their vanity-esque self-publishing imprint – Book Country – there was a chorus of disapproval from the self-publishing community. However, I don’t want to single out Penguin. The Book Country deal is a terrible one, but there are far worse out there.
And, frankly, I don’t think any of these “middlemen” self-publishing services are a good idea. The royalty percentages are so favorable in self-publishing precisely because the middlemen have been removed. Once you allow them to reinsert themselves in the process, all that changes.
These services range from charging once-off upfront fees (often significant), to taking an ongoing percentage of your royalties (again, often significant), and, in some cases, even make horrendous rights grabs.
It should be instructive that authors who have already self-published something are rarely tempted by any of these “services” as they know it doesn’t take a genius to find an editor and cover designer, learn how to format your books (or pay someone a small fee to do it), and to upload your books.
Marketing is hard. Writing a good book is harder again. But the publishing part, in comparison, is relatively simple. Perhaps, as self-publishers, we need to do a better job in getting that message out to the wider writing community.
I made the PDF version of Let’s Get Digital a free download on my blog (and Scribd), and it has been downloaded nearly 6,000 times, but I could really do with having a simple one-page run-down of the basics like indie author David Burton has done here.
In fact, if we all had something similar on our blogs, we would be doing the whole writing community a service, keeping them out of the clutches of companies who will squeeze them dry and give little in return.
Self-publishers have done a very good job of arguing for the viability of this path, and many writers have heeded the call. However, now the sharks are circling, we need to get another message out: stay away from these services, protect your royalties, and guard your rights carefully; don’t be afraid to do it all yourself; there is plenty of (free) advice out there and plenty of writers willing to help.
To be clear, I’m not referring to services like Smashwords. They are a distributor/aggregator. For approximately 10% of your cover price, they will distribute you to retailers that are tricky to get into, or impossible on your own. I also have no real issue with some of the newer services that only charge a small upfront fee for a combined formatting, uploading, and distribution service, as they don’t touch your royalties (such as BookBaby.)
While it might be easy for experienced self-publishers to make such a distinction, it’s getting harder and harder for newer writers to do so, which is why I was delighted to hear about a new watchdog site called Indie Beware.
Very much modelled on Writer Beware, it aims to provide a similar service, with a special focus on issues relevant to self-publishers. The writer behind it – Jessica Meigs – is razor sharp, and I have high hopes for the site. It’s only a few days old, but if you have the time, take a moment and pop over to Indie Beware, and tell them the kind of issues you would like covered.
David Gaughran is the author of the South American historical adventure A Storm Hits Valparaiso and the short stories If You Go Into The Woods and Transfection as well as the popular self-publishing guide Let's Get Digital: How To Self-Publish, And Why You Should.
Follow IndieReader on Twitter: @IndieReader
Writers pursuing the traditional route to publication have had to put up with any number of scams and dodgy deals over the years. We’ve seen vanity and subsidy publishing houses masquerading as conventional publishers, agents who charge all sorts of fees to “represent” your work or push writers towards “editing” services which they either own or receive kickbacks from, and all sorts of nefarious individuals who will claim to get your work under the nose of famous writers, editors, agents, or Hollywood producers – all for a fee, and with little result.
The presence of such conmen is a grim inevitability in an industry where there are so many are fighting for so few slots. Writers rely heavily on organizations such as Writer Beware whose mission is to expose such scams, warn writers when publishing houses are in financial trouble, and educate them on issues such as contracts and copyright.
In general, writers are quite good at taking the time to warn those less experienced of scams and dodgy deals, as well as things which are simply a waste of money.
Self-publishers don’t face the same problem as writers pursuing the traditional path: namely, being one of many competing for (very) limited slots. We don’t have the same bottleneck at the “publishing” stage. However, questionable services are capitalizing on a mystique that has attached itself to the publishing process, squeezing good money out of writers and providing little in return.
There are three major steps for a self-publisher:
1. Writing a good book.
2. Publishing to a professional standard.
3. Marketing effectively.
These services tend to focus on the second step – publishing. The sad thing is that this is the easiest step of the three. Before that cues howls of protest, consider the following. Marketing a book is hard, much harder than the functional steps necessary to publish something to a professional standard, especially when we are talking about e-books.
You can hand someone a set of instructions, which, if followed to the letter, will result in a good looking book. Yes, there is a learning curve for much of it, and many of the tasks (particularly editing and cover design) will need to be outsourced, but it’s something anybody can do, with the right approach and a little investment.
Marketing is much trickier, and successful marketing always involves some element of guesswork and luck. Writing a great book is the hardest task of all, and there is no real blueprint available to the prospective writer. While there are great guidebooks, writing groups, forums, and communities, you are really on your own when it comes to the writing part.
Publishing is easy in comparison.
At least, that’s how it looks to someone who has published four titles. I remember being quite daunted by the process before I published my first. I had a background in digital marketing, I had worked for tech companies, and I knew a little HTML. Someone without any of that may consider the process beyond them.
This has created an opportunity for a variety of self-publishing “services” some okay, some not so. When Penguin launched their vanity-esque self-publishing imprint – Book Country – there was a chorus of disapproval from the self-publishing community. However, I don’t want to single out Penguin. The Book Country deal is a terrible one, but there are far worse out there.
And, frankly, I don’t think any of these “middlemen” self-publishing services are a good idea. The royalty percentages are so favorable in self-publishing precisely because the middlemen have been removed. Once you allow them to reinsert themselves in the process, all that changes.
These services range from charging once-off upfront fees (often significant), to taking an ongoing percentage of your royalties (again, often significant), and, in some cases, even make horrendous rights grabs.
It should be instructive that authors who have already self-published something are rarely tempted by any of these “services” as they know it doesn’t take a genius to find an editor and cover designer, learn how to format your books (or pay someone a small fee to do it), and to upload your books.
Marketing is hard. Writing a good book is harder again. But the publishing part, in comparison, is relatively simple. Perhaps, as self-publishers, we need to do a better job in getting that message out to the wider writing community.
I made the PDF version of Let’s Get Digital a free download on my blog (and Scribd), and it has been downloaded nearly 6,000 times, but I could really do with having a simple one-page run-down of the basics like indie author David Burton has done here.
In fact, if we all had something similar on our blogs, we would be doing the whole writing community a service, keeping them out of the clutches of companies who will squeeze them dry and give little in return.
Self-publishers have done a very good job of arguing for the viability of this path, and many writers have heeded the call. However, now the sharks are circling, we need to get another message out: stay away from these services, protect your royalties, and guard your rights carefully; don’t be afraid to do it all yourself; there is plenty of (free) advice out there and plenty of writers willing to help.
To be clear, I’m not referring to services like Smashwords. They are a distributor/aggregator. For approximately 10% of your cover price, they will distribute you to retailers that are tricky to get into, or impossible on your own. I also have no real issue with some of the newer services that only charge a small upfront fee for a combined formatting, uploading, and distribution service, as they don’t touch your royalties (such as BookBaby.)
While it might be easy for experienced self-publishers to make such a distinction, it’s getting harder and harder for newer writers to do so, which is why I was delighted to hear about a new watchdog site called Indie Beware.
Very much modelled on Writer Beware, it aims to provide a similar service, with a special focus on issues relevant to self-publishers. The writer behind it – Jessica Meigs – is razor sharp, and I have high hopes for the site. It’s only a few days old, but if you have the time, take a moment and pop over to Indie Beware, and tell them the kind of issues you would like covered.
David Gaughran is the author of the South American historical adventure A Storm Hits Valparaiso and the short stories If You Go Into The Woods and Transfection as well as the popular self-publishing guide Let's Get Digital: How To Self-Publish, And Why You Should.
Follow IndieReader on Twitter: @IndieReader
Sunday, January 1, 2012
DERRICK SWEAT 3 out in March 2012
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